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The sound of tomorrow: how electronic music was smuggled into the mainstream

Book Cover
Average Rating
Publisher:
Bloomsbury
Pub. Date:
2012
Language:
English
Description
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new [Publisher description]
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ISBN:
9780826424525
9781623565299
9781623561536
Staff View

Grouping Information

Grouped Work ID33c9d6d1-3b3f-ca74-cf72-dddcb65a216f
Grouping Titlesound of tomorrow how electronic music was smuggled into the mainstream
Grouping Authormark brend
Grouping Categorybook
Grouping LanguageEnglish (eng)
Last Grouping Update2022-09-07 20:43:36PM
Last Indexed2022-10-03 04:40:00AM

Solr Fields

accelerated_reader_point_value
0
accelerated_reader_reading_level
0
author
Brend, Mark (Musician)
author_display
Brend, Mark
available_at_aimslibrary
Aims Community College - Greeley
detailed_location_aimslibrary
Aims Greeley Circulation
display_description
Monterey Pop Festival, 1967. Bernie Krause and Paul Beaver demonstrate a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new [Publisher description]
format_aimslibrary
Book
format_category_aimslibrary
Books
id
33c9d6d1-3b3f-ca74-cf72-dddcb65a216f
isbn
9780826424525
9781623561536
9781623565299
itype_aimslibrary
General Circulating
last_indexed
2022-10-03T10:40:00.264Z
lexile_score
-1
literary_form
Non Fiction
literary_form_full
Non Fiction
local_callnumber_aimslibrary
ML1380 .B745 2012
owning_library_aimslibrary
Aims Community College
owning_location_aimslibrary
Aims Community College - Greeley
primary_isbn
9780826424525
publishDate
2012
publisher
Bloomsbury
Bloomsbury Pub
recordtype
grouped_work
subject_facet
Criticism, interpretation, etc
Electronic books
Electronic music
Electronic music -- History and criticism
Elektroakustisk musik -- historia
Elektronische Musik
Elektronisk musik -- historia
Elektronisk popula?rmusik -- historia
Elektronisk populärmusik -- historia
Filmmusik -- historia
MUSIC -- Musical Instruments -- Piano & Keyboard
MUSIC -- Printed Music -- Percussion
Musique populaire -- Histoire et critique
Popular music
Popular music -- History and criticism
Unterhaltungsmusik
title_display
The sound of tomorrow : how electronic music was smuggled into the mainstream
title_full
The sound of tomorrow : how electronic music was smuggled into the mainstream / Mark Brend
title_short
The sound of tomorrow
title_sub
how electronic music was smuggled into the mainstream
topic_facet
Electronic music
Elektroakustisk musik
Elektronische Musik
Elektronisk musik
Elektronisk popula?rmusik
Elektronisk populärmusik
Filmmusik
Histoire et critique
History and criticism
MUSIC
Musical Instruments
Musique populaire
Percussion
Piano & Keyboard
Popular music
Printed Music
Unterhaltungsmusik
historia

Solr Details Tables

item_details

Bib IdItem IdShelf LocCall NumFormatFormat CategoryNum CopiesIs Order ItemIs eContenteContent SourceeContent URLDetailed StatusLast CheckinLocation
ils:.b64112536.i137497891Aims Greeley CirculationML1380 .B745 20121falsefalseOn Shelfaigci
ebscoccu:ocn823721340ocn823721340Ebsco (CCU)Online Ebsco (CCU)eBookeBook1falsetrueEbsco (CCU)http://ezproxy.ccu.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=836647Available OnlineEbsco (CCU)
fortlewisebscoebooksub:ocn823721340ocn823721340Fort Lewis Subscription eBook (EBSCO)Online Fort Lewis Subscription eBook (EBSCO)eBookeBook1falsetrueFort Lewis Subscription eBook (EBSCO)https://fortlewis.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=836647Available OnlineFort Lewis Subscription eBook (EBSCO)

record_details

Bib IdFormatFormat CategoryEditionLanguagePublisherPublication DatePhysical DescriptionAbridged
ils:.b64112536BookBooksEnglishBloomsbury2012xi, 272 pages : illustrations ; 22 cm
ebscoccu:ocn823721340eBookeBookEnglishBloomsbury Pub20121 online resource : illustrations
fortlewisebscoebooksub:ocn823721340eBookeBookEnglishBloomsbury Pub20121 online resource : illustrations

scoping_details_aimslibrary

Bib IdItem IdGrouped StatusStatusLocally OwnedAvailableHoldableBookableIn Library Use OnlyLibrary OwnedHoldable PTypesBookable PTypesLocal Url
ils:.b64112536.i137497891On ShelfOn Shelffalsetruetruefalsefalsetrue188, 189, 190, 191