Nothing but love in God's water
Author:
Publisher:
The Pennsylvania State University Press
Publication Date:
[2014-2016]
Language:
English
Description
"The first of two volumes chronicling the history and role of music in the African-American experience. Explains the historical significance of song and illustrates how music influenced the Civil Rights Movement"--Provided by publisher, Volume I.
The first of two volumes chronicling the history and role of music in the African American experience, Nothing but Love in God's Water explores how songs and singers helped African Americans challenge and overcome slavery, subjugation, and suppression. From the spirituals of southern fields and the ringing chords of black gospel to the protest songs that changed the landscape of labor and the cadences sung before dogs and water cannons in Birmingham, sacred song has stood center stage in the African American drama. Myriad interviews, one-of-a-kind sources, and rare or lost recordings are used to examine this enormously persuasive facet of the movement. Nothing but Love in God's Water explains the historical significance of song and helps us understand how music enabled the civil rights movement to challenge the most powerful nation on the planet. -- from Volume 1 dust jacket.
Volume 1 of Nothing but Love in God's Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Restoration Project at Baylor University, brings this vivi, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King, Jr., and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States. Taking us from the Deep South to Chicago and on to the nation's capital, Darden's grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike; activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and the Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and continues to inspire and uplift people all over the world. -- from Volume 2 dust jacket.
The first of two volumes chronicling the history and role of music in the African American experience, Nothing but Love in God's Water explores how songs and singers helped African Americans challenge and overcome slavery, subjugation, and suppression. From the spirituals of southern fields and the ringing chords of black gospel to the protest songs that changed the landscape of labor and the cadences sung before dogs and water cannons in Birmingham, sacred song has stood center stage in the African American drama. Myriad interviews, one-of-a-kind sources, and rare or lost recordings are used to examine this enormously persuasive facet of the movement. Nothing but Love in God's Water explains the historical significance of song and helps us understand how music enabled the civil rights movement to challenge the most powerful nation on the planet. -- from Volume 1 dust jacket.
Volume 1 of Nothing but Love in God's Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Restoration Project at Baylor University, brings this vivi, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King, Jr., and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States. Taking us from the Deep South to Chicago and on to the nation's capital, Darden's grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike; activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and the Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and continues to inspire and uplift people all over the world. -- from Volume 2 dust jacket.
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Subjects
Subjects
African Americans
African Americans -- Civil rights
African Americans -- Civil rights -- History
African Americans -- Music
African Americans -- Music -- History and criticism
Afroamerikanische Musik
Civil rights
Classical
Criticism, interpretation, etc
Droits
Electronic books
Geistliche Musik
Genres & Styles
Gospel
Gospel -- Histoire et critique
Gospel music
Gospel music -- History and criticism
Gospelsong
Histoire
Histoire et critique
History
History and criticism
Music
MUSIC -- Genres & Styles -- Classical
MUSIC -- Reference
Negro spirituals
Negro spirituals -- Histoire et critique
Noirs américains
Noirs américains -- Droits -- Histoire
Protestsong
Reference
Schwarze
Spirituals (Songs)
Spirituals (Songs) -- History and criticism
USA
African Americans -- Civil rights
African Americans -- Civil rights -- History
African Americans -- Music
African Americans -- Music -- History and criticism
Afroamerikanische Musik
Civil rights
Classical
Criticism, interpretation, etc
Droits
Electronic books
Geistliche Musik
Genres & Styles
Gospel
Gospel -- Histoire et critique
Gospel music
Gospel music -- History and criticism
Gospelsong
Histoire
Histoire et critique
History
History and criticism
Music
MUSIC -- Genres & Styles -- Classical
MUSIC -- Reference
Negro spirituals
Negro spirituals -- Histoire et critique
Noirs américains
Noirs américains -- Droits -- Histoire
Protestsong
Reference
Schwarze
Spirituals (Songs)
Spirituals (Songs) -- History and criticism
USA
More Details
ISBN:
9780271075761
9780271080147
9780271050843
9780271080147
9780271050843
Staff View
Grouping Information
Grouped Work ID | b635d900-d008-103d-2f07-2cd90bf54c78 |
---|---|
Grouping Title | nothing but love in gods water |
Grouping Author | bob darden |
Grouping Category | book |
Grouping Language | English (eng) |
Last Grouping Update | 2024-12-14 07:08:52AM |
Last Indexed | 2024-12-21 01:33:27AM |
Solr Fields
accelerated_reader_point_value
0
accelerated_reader_reading_level
0
author
Darden, Bob, 1954-
author_display
Darden, Bob
available_at_aimslibrary
Aims Community College - Greeley
detailed_location_aimslibrary
Aims Greeley Circulation
display_description
"The first of two volumes chronicling the history and role of music in the African-American experience. Explains the historical significance of song and illustrates how music influenced the Civil Rights Movement"--Provided by publisher, Volume I.
The first of two volumes chronicling the history and role of music in the African American experience, Nothing but Love in God's Water explores how songs and singers helped African Americans challenge and overcome slavery, subjugation, and suppression. From the spirituals of southern fields and the ringing chords of black gospel to the protest songs that changed the landscape of labor and the cadences sung before dogs and water cannons in Birmingham, sacred song has stood center stage in the African American drama. Myriad interviews, one-of-a-kind sources, and rare or lost recordings are used to examine this enormously persuasive facet of the movement. Nothing but Love in God's Water explains the historical significance of song and helps us understand how music enabled the civil rights movement to challenge the most powerful nation on the planet. -- from Volume 1 dust jacket.
Volume 1 of Nothing but Love in God's Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Restoration Project at Baylor University, brings this vivi, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luther King, Jr., and other leaders used music to underscore and support their message; and reveals how the songs themselves traveled and changed as the fight for freedom for African Americans continued. Darden makes an unassailable case for the importance of black sacred music not only to the civil rights era but also to present-day struggles in and beyond the United States. Taking us from the Deep South to Chicago and on to the nation's capital, Darden's grittily detailed, lively telling is peppered throughout with the words of those who were there, famous and forgotten alike; activists such as Rep. John Lewis, the Reverend Ralph Abernathy, and Willie Bolden, as well as musical virtuosos such as Harry Belafonte, Duke Ellington, and the Mighty Wonders. Expertly assembled from published and unpublished writing, oral histories, and rare recordings, this is the history of the soundtrack that fueled the long march toward freedom and equality for the black community in the United States and continues to inspire and uplift people all over the world. -- from Volume 2 dust jacket.
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Book
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Books
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b635d900-d008-103d-2f07-2cd90bf54c78
isbn
9780271050843
9780271075761
9780271080147
9780271075761
9780271080147
itype_aimslibrary
General Circulating
last_indexed
2024-12-21T08:33:27.458Z
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literary_form
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literary_form_full
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local_callnumber_aimslibrary
ML3556 .D33 2014 v.1
ML3556 .D33 2014 v.2
ML3556 .D33 2014 v.2
owning_library_aimslibrary
Aims Community College
owning_location_aimslibrary
Aims Community College - Greeley
primary_isbn
9780271075761
publishDate
2014
publisher
The Pennsylvania State University Press
recordtype
grouped_work
subject_facet
African Americans -- Civil rights
African Americans -- Civil rights -- History
African Americans -- Music
African Americans -- Music -- History and criticism
Afroamerikanische Musik
Criticism, interpretation, etc
Electronic books
Geistliche Musik
Gospel -- Histoire et critique
Gospel music
Gospel music -- History and criticism
Gospelsong
History
MUSIC -- Genres & Styles -- Classical
MUSIC -- Reference
Negro spirituals -- Histoire et critique
Noirs américains -- Droits -- Histoire
Protestsong
Schwarze
Spirituals (Songs)
Spirituals (Songs) -- History and criticism
USA
African Americans -- Civil rights -- History
African Americans -- Music
African Americans -- Music -- History and criticism
Afroamerikanische Musik
Criticism, interpretation, etc
Electronic books
Geistliche Musik
Gospel -- Histoire et critique
Gospel music
Gospel music -- History and criticism
Gospelsong
History
MUSIC -- Genres & Styles -- Classical
MUSIC -- Reference
Negro spirituals -- Histoire et critique
Noirs américains -- Droits -- Histoire
Protestsong
Schwarze
Spirituals (Songs)
Spirituals (Songs) -- History and criticism
USA
title_display
Nothing but love in God's water
title_full
Nothing but love in God's water / Robert Darden
title_short
Nothing but love in God's water
topic_facet
African Americans
Afroamerikanische Musik
Civil rights
Classical
Droits
Geistliche Musik
Genres & Styles
Gospel
Gospel music
Gospelsong
Histoire
Histoire et critique
History
History and criticism
MUSIC
Music
Negro spirituals
Noirs américains
Protestsong
Reference
Schwarze
Spirituals (Songs)
Afroamerikanische Musik
Civil rights
Classical
Droits
Geistliche Musik
Genres & Styles
Gospel
Gospel music
Gospelsong
Histoire
Histoire et critique
History
History and criticism
MUSIC
Music
Negro spirituals
Noirs américains
Protestsong
Reference
Schwarze
Spirituals (Songs)
Solr Details Tables
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