World cinemas, transnational perspectives
(Book)
Contributors:
Series:
Published:
New York : Routledge, 2010.
Format:
Book
ISBN:
9780415976534, 0415976537, 9780415976541, 0415976545, 9780203882795, 0203882792
Physical Desc:
xv, 368 pages ; 24 cm.
Status:
Aims Greeley Circulation
PN1995.9.T6855 W67 2010
Description
SCMS Award Winner ""Best Edited Collection""The standard analytical category of ""national cinema"" has increasingly been called into question by the category of the ""transnational."" This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images
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Aims Greeley Circulation
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Language:
English
Notes
Bibliography
Includes bibliographical references and indexes.
Citations
APA Citation (style guide)
Ďurovičová, N., & Newman, K. E. (2010). World cinemas, transnational perspectives. New York, Routledge.
Chicago / Turabian - Author Date Citation (style guide)Ďurovičová, Natasa and Kathleen E. Newman. 2010. World Cinemas, Transnational Perspectives. New York, Routledge.
Chicago / Turabian - Humanities Citation (style guide)Ďurovičová, Natasa and Kathleen E. Newman, World Cinemas, Transnational Perspectives. New York, Routledge, 2010.
MLA Citation (style guide)Ďurovičová, Natasa. and Kathleen E Newman. World Cinemas, Transnational Perspectives. New York, Routledge, 2010.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work ID:
8ab7b238-ecde-bbf5-72fc-4f05aefb3828
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| 505 | 0 | 0 | |g The geopolitical imaginary of cinema studies. |t Notes on transnational film theory : decentered subjectivity, decentered capitalism / |r Kathleen Newman -- |t On the plurality of cinematic transnationalism / |r Mette Hjort -- |t Tracking "global media" in the outposts of globalization / |r Bhaskar Sarkar -- |t Time zones and jetlag : the flows and phases of world cinema / |r Dudley Andrew -- |t Vector, flow, zone : towards a history of cinematic translation / |r Nataša Ďurovičová -- |g Cinema as transnational exchange. |t Chinese cinema and transnational film studies / |r Yingjin Zhang -- |t National cinema abroad : the new international division of cultural labor, from production to viewing / |r Toby Miller -- |t Aural identity, genealogies of sound technologies, and Hispanic transnationality on screen / |r Marvin D'Lugo -- |t How movies move (between Hong Kong and Bulawayo, between screen and stage...) / |r Lesley Stern -- |t New paradoxes of black Africa's cinemas / |r Olivier Barlet -- |t Transnational other : street kids in contemporary Brazilian cinema / |r João Luiz Vieira -- |g Comparative perspectives. |t Fantasy in action / |r Paul Willemen -- |t Vernacular modernism : tracking cinema on a global scale / |r Miriam Hansen -- |t Globalization and hybridization / |r Fredric Jameson -- |t From playtime to the world : the expansion and depletion of space within global economies / |r Jonathan Rosenbaum. |
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