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The art-architecture complex
(Book)

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Author:
Published:
London ; New York : Verso, 2011.
Format:
Book
ISBN:
9781844676897, 1844676897
Physical Desc:
xiii, 302 pages : illustrations (chiefly color) ; 22 cm
Status:
Aims Greeley Circulation
N72.A75 F67 2011

Description

Hal Foster, author of the acclaimed Design and Crime , argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style” of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies.  More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex” provides invaluable insight into broader social and economic trajectories in urgent need of analysis.

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Status
Aims Greeley Circulation
N72.A75 F67 2011
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More Details

Language:
English

Notes

Bibliography
Includes bibliographical references and index.

Citations

APA Citation (style guide)

Foster, H. (2011). The art-architecture complex. London ; New York, Verso.

Chicago / Turabian - Author Date Citation (style guide)

Foster, Hal. 2011. The Art-architecture Complex. London ; New York, Verso.

Chicago / Turabian - Humanities Citation (style guide)

Foster, Hal, The Art-architecture Complex. London ; New York, Verso, 2011.

MLA Citation (style guide)

Foster, Hal. The Art-architecture Complex. London ; New York, Verso, 2011.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

Staff View

Grouped Work ID:
77eda922-d566-1e52-bc9f-77970ec02bb8
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Record Information

Last Sierra Extract TimeDec 14, 2024 06:56:48 AM
Last File Modification TimeDec 14, 2024 06:57:06 AM
Last Grouped Work Modification TimeDec 14, 2024 06:56:55 AM

MARC Record

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5050 |a Image-building -- pt. I. Global styles : Pop civics ; Crystal palaces ; Light modernity -- pt. II. Architecture vis-à-vis art : Neo-avant-garde gestures ; Postmodernist machines ; Minimalist museums -- pt. III. Mediums after minimalism : Sculpture remade ; Film stripped bare ; Painting unbound -- Building contra image.
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