Sacred Spain: art and belief in the Spanish world
(Book)
"The art of Spain and Spanish America during the 17th century is overwhelmingly religious - it was intended to arouse wonder, devotion, and identification. Its forms and meanings are inextricably linked to the beliefs and religious practices of the people for whom it was made. In this groundbreaking book, scholars of art and religion look at new ways to understand the reception of use of these images in the practice of belief. As a result, the book argues for a fundamental reappraisal of the cultural role of the Church based on an analysis of the specific devotional and ritual contexts of Spanish art. Handsomely illustrated essays discuss paintings, polychrome sculptures, metalwork, and books. They call attention to the paradoxical nature of the most characteristic visual forms of Spanish Catholicism: material richness and external display as expressions of internal spirituality, strict doctrinal orthodoxy accompanied by artistic expression of surprising unconventionality, the calculated social projection of new devotional themes, and the divergence of popular religious practices from officially prescribed ones." -- Book jacket.
Art and religion -- Spain -- History -- 17th century -- Exhibitions.
Art and society -- Latin America -- History -- 17th century -- Exhibitions.
Art and society -- Spain -- History -- 17th century -- Exhibitions.
Christian art and symbolism -- Modern period, 1500-
Indianapolis Museum of Art -- Exhibitions.
Notes
Kasl, R., & Rodríguez G. de Ceballos, A. (2009). Sacred Spain: art and belief in the Spanish world. Indianapolis : New Haven, Indianapolis Museum of Art.
Chicago / Turabian - Author Date Citation (style guide)Kasl, Ronda and Alfonso Rodríguez G. de Ceballos. 2009. Sacred Spain: Art and Belief in the Spanish World. Indianapolis : New Haven, Indianapolis Museum of Art.
Chicago / Turabian - Humanities Citation (style guide)Kasl, Ronda and Alfonso Rodríguez G. de Ceballos, Sacred Spain: Art and Belief in the Spanish World. Indianapolis : New Haven, Indianapolis Museum of Art, 2009.
MLA Citation (style guide)Kasl, Ronda. and Alfonso Rodríguez G. de Ceballos. Sacred Spain: Art and Belief in the Spanish World. Indianapolis : New Haven, Indianapolis Museum of Art, 2009.
Record Information
Last Sierra Extract Time | Mar 22, 2024 07:30:07 PM |
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Last File Modification Time | Mar 22, 2024 07:30:26 PM |
Last Grouped Work Modification Time | Mar 22, 2024 07:30:13 PM |
MARC Record
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003 | OCoLC | ||
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020 | |a 9780300154719 (cloth) | ||
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245 | 0 | 0 | |a Sacred Spain :|b art and belief in the Spanish world /|c edited by Ronda Kasl ; Alfonso Rodríguez G. de Ceballos ... [and others]. |
246 | 3 | 0 | |a Art and belief in the Spanish world |
264 | 1 | |a Indianapolis :|b Indianapolis Museum of Art ;|a New Haven :|b Distributed by Yale University Press,|c 2009. | |
300 | |a 357 pages :|b color illustrations, portraits (chiefly color) ;|c 33 cm | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a unmediated|b n|2 rdamedia | ||
338 | |a volume|b nc|2 rdacarrier | ||
500 | |a "Published in conjunction with the exhibition Sacred Spain: Art and Belief in the Spanish World, October 11, 2009-January 3, 2010." | ||
504 | |a Includes bibliographical references (pages 327-350) and index. | ||
505 | 0 | |a Image and Counter-Reformation in Spain and Spanish America / Alfonso Rodríguez G. de Ceballos -- The holy depicting the holy: social and aesthetic issues / Javier Portús -- The image and its maker: the problem of authorship in relation to miraculous images in Spanish America / Luisa Elena Alcalá -- Images as beings in early modern Spain / William A. Christian, Jr. -- "The authority of sacred paintbrushes": representing medieval sainthood in the early modern period / María Cruz de Carlos Varona -- The theopolitical visualization of the Virgin of the Immaculate Conception: intentionality and socialization of images / Jaime Cuadriello -- Delightful adornments and pious recreation: living with images in the seventeenth century / Ronda Kasl -- Catalogue of works. | |
520 | |a "The art of Spain and Spanish America during the 17th century is overwhelmingly religious - it was intended to arouse wonder, devotion, and identification. Its forms and meanings are inextricably linked to the beliefs and religious practices of the people for whom it was made. In this groundbreaking book, scholars of art and religion look at new ways to understand the reception of use of these images in the practice of belief. As a result, the book argues for a fundamental reappraisal of the cultural role of the Church based on an analysis of the specific devotional and ritual contexts of Spanish art. Handsomely illustrated essays discuss paintings, polychrome sculptures, metalwork, and books. They call attention to the paradoxical nature of the most characteristic visual forms of Spanish Catholicism: material richness and external display as expressions of internal spirituality, strict doctrinal orthodoxy accompanied by artistic expression of surprising unconventionality, the calculated social projection of new devotional themes, and the divergence of popular religious practices from officially prescribed ones." -- Book jacket. | ||
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