AKA Marcel Duchamp: meditations on the identities of an artist
(Book)
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"Aka Marcel Duchamp is an anthology of recent essays by leading scholars on Marcel Duchamp, arguably the most influential artist of the twentieth century. With scholarship addressing the full range of Duchamp's career, these papers examine how Duchamp's influence grew and impressed itself upon his contemporaries and subsequent generations of artists. Duchamp provides an illuminating model of the dynamics of play in construction of artistic identity and legacy, which includes both personal volition and contributions made by fellow artists, critics, and historians. This volume is not only important for its contributions to Duchamp studies and the light it sheds on the larger impact of Duchamp's art and career on modern and contemporary art, but also for what it reveals about how the history of art itself is shaped over time by shifting agendas, evolving methodologies, and new discoveries. Includes contributions by Wendy Wick Reaves, Adrian Sudhalter, James Housefield, David Hopkins, Linda Dalrymple Henderson, Scott Homolka, Beth A. Price, Ken Sutherland, Catherine Craft, Lewis Kachur, Scott Gerson, Michael Taylor, Francis M. Naumann, Janine Mileaf, and Brian O'Doherty"--
"The present volume aims precisely to shed light into aspects of Duchamp's career not previously scrutinized, in particular the construction--both by Duchamp and others--of his complex personal and artistic identity. The essays grow out of "Inventing Marcel Duchamp: The Dynamics of Portraiture," an exhibition hosted by the Smithsonian Institution's National Portrait Gallery (March - August 2009).2 In conjunction with the exhibition, the curators (now the editors of this compilation) invited leading scholars--together with the highly respected artist Brian O'Doherty--whose work was featured in the exhibition--to speak to the development of Duchamp's identity both in reference to the exhibition and expanding beyond it. The high caliber of the papers invited publication, and these contributions--or variations on them--appear here amplified by the addition of other essays not included in that venue. This publication, then, allows the further development of themes addressed--or hinted at in "Inventing Marcel Duchamp"--Which focused on the fabrication of the specter of "Marcel Duchamp" through the avenue of portraiture. Presented here are also studies that take advantage of new discoveries since the presentation of that exhibition"--
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Goodyear, A. C., & McManus, J. W. (2014). AKA Marcel Duchamp: meditations on the identities of an artist. Washington, D.C., Smithsonian Institution Scholarly Press.
Chicago / Turabian - Author Date Citation (style guide)Goodyear, Anne Collins and James W. McManus. 2014. AKA Marcel Duchamp: Meditations On the Identities of an Artist. Washington, D.C., Smithsonian Institution Scholarly Press.
Chicago / Turabian - Humanities Citation (style guide)Goodyear, Anne Collins and James W. McManus, AKA Marcel Duchamp: Meditations On the Identities of an Artist. Washington, D.C., Smithsonian Institution Scholarly Press, 2014.
MLA Citation (style guide)Goodyear, Anne Collins, and James W. McManus. AKA Marcel Duchamp: Meditations On the Identities of an Artist. Washington, D.C., Smithsonian Institution Scholarly Press, 2014.
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Last Sierra Extract Time | Dec 14, 2024 07:03:58 AM |
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Last File Modification Time | Dec 14, 2024 07:04:18 AM |
Last Grouped Work Modification Time | Dec 14, 2024 07:04:04 AM |
MARC Record
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003 | OCoLC | ||
005 | 20160615124443.0 | ||
008 | 130404s2014 dcua b 001 0 eng | ||
010 | |a 2013012966 | ||
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020 | |z 1935623265 | ||
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082 | 0 | 0 | |a 709.2 |2 23 |
084 | |a ART016020 |a ART016000 |a ART009000 |2 bisacsh | ||
245 | 0 | 0 | |a AKA Marcel Duchamp : |b meditations on the identities of an artist / |c edited by Anne Collins Goodyear and James W. McManus. |
264 | 1 | |a Washington, D.C. : |b Smithsonian Institution Scholarly Press, |c 2014. | |
300 | |a x, 310 pages : |b illustrations (some color) ; |c 27 cm. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a A Smithsonian contribution to knowledge | |
504 | |a Includes bibliographical references (pages 278-291) and index. | ||
505 | 0 | 0 | |t AKA Marcel Duchamp: meditations on the identities of an artist: an introduction / |r Anne Collins Goodyear and James W. McManus -- |g 1. |t Masking Marcel: |t Brittle Painted Masks: Portraiture in the Age of Duchamp / |r Wendy Wick Reaves; |t R/rose Recontextualized: French and American Identity and the Photographic Portraits for Dadaglobe and New York Dada / |r Adrian Sudhalter; |t Starry Messenger: Astronomy, Fashion, and Identity in Marcel Duchamp's Comet Haircut / |r James Housefield; |t Duchamp, Surrealism, and "Liberty": From Dust Breeding to Étant donnés / |r 5. David Hopkins -- |g 2. |t Marcel Duchamp 'an-artist' : |t Paradigm Shifts and Shifting Identities in the Career of Marcel Duchamp, Anti-Bergsonist "Algebraicist of Ideas" / |r Linda Dalrymple Henderson; |t Marcel Duchamp's FILS: Nude Descending a Staircase (no. 3) / |r Scott Homolka, Beth A. Price, and Ken Sutherland; |t Pictures of the Past: Dada and the Two Duchamps / |r Catherine Craft; |t Intrusion in the Enchanters' Domain: Duchamp's Exhibition Identity / |r Lewis Kachur -- |g 3. |t Taking Stock of Duchamp: |t Sur Mesure: On Jean Crotti's Idea of Marcel Duchamp / |r James W. McManus and Anne Collins Goodyear; |t Two portraits of Marcel Duchamp by Jean Crotti: Technical Note / |r Scott Homolka and Scott Gerson; |t Hieronymus Duchamp / |r Michael Taylor; |t Duchamp's Detractors / |r Francis M. Naumann; |t Stripper and the Glass: Hannah Wilke at the Philadelphia Museum of Art / |r Janine Mileaf; |t Taking Duchamp's Portrait / |r Brian O'Doherty, " |
520 | |a "Aka Marcel Duchamp is an anthology of recent essays by leading scholars on Marcel Duchamp, arguably the most influential artist of the twentieth century. With scholarship addressing the full range of Duchamp's career, these papers examine how Duchamp's influence grew and impressed itself upon his contemporaries and subsequent generations of artists. Duchamp provides an illuminating model of the dynamics of play in construction of artistic identity and legacy, which includes both personal volition and contributions made by fellow artists, critics, and historians. This volume is not only important for its contributions to Duchamp studies and the light it sheds on the larger impact of Duchamp's art and career on modern and contemporary art, but also for what it reveals about how the history of art itself is shaped over time by shifting agendas, evolving methodologies, and new discoveries. Includes contributions by Wendy Wick Reaves, Adrian Sudhalter, James Housefield, David Hopkins, Linda Dalrymple Henderson, Scott Homolka, Beth A. Price, Ken Sutherland, Catherine Craft, Lewis Kachur, Scott Gerson, Michael Taylor, Francis M. Naumann, Janine Mileaf, and Brian O'Doherty"-- |c Provided by publisher. | ||
520 | |a "The present volume aims precisely to shed light into aspects of Duchamp's career not previously scrutinized, in particular the construction--both by Duchamp and others--of his complex personal and artistic identity. The essays grow out of "Inventing Marcel Duchamp: The Dynamics of Portraiture," an exhibition hosted by the Smithsonian Institution's National Portrait Gallery (March - August 2009).2 In conjunction with the exhibition, the curators (now the editors of this compilation) invited leading scholars--together with the highly respected artist Brian O'Doherty--whose work was featured in the exhibition--to speak to the development of Duchamp's identity both in reference to the exhibition and expanding beyond it. The high caliber of the papers invited publication, and these contributions--or variations on them--appear here amplified by the addition of other essays not included in that venue. This publication, then, allows the further development of themes addressed--or hinted at in "Inventing Marcel Duchamp"--Which focused on the fabrication of the specter of "Marcel Duchamp" through the avenue of portraiture. Presented here are also studies that take advantage of new discoveries since the presentation of that exhibition"-- |c Provided by publisher. | ||
600 | 1 | 0 | |a Duchamp, Marcel, |d 1887-1968 |0 https://id.loc.gov/authorities/names/n80057220 |x Criticism and interpretation. |0 https://id.loc.gov/authorities/subjects/sh99005576 |
600 | 1 | 7 | |a Duchamp, Marcel, |d 1887-1968. |0 (OCoLC)fst00054760 |2 fast |
600 | 1 | 7 | |a Duchamp, Marcel, |d (1887-1968) |2 ram |
655 | 7 | |a Criticism, interpretation, etc. |0 (OCoLC)fst01411635 |2 fast | |
700 | 1 | |a Goodyear, Anne Collins, |0 https://id.loc.gov/authorities/names/n2002154344 |e editor. | |
700 | 1 | |a McManus, James W., |d 1942- |0 https://id.loc.gov/authorities/names/n77006220 |e editor. | |
830 | 0 | |a Smithsonian contribution to knowledge. |0 https://id.loc.gov/authorities/names/no2010003300 | |
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