Innovation in five acts: strategies for theatre and performance
(Book)
Contributors:
Svich, Caridad, editor.
Series:
Published:
New York : Theatre Communications Group, 2015.
Format:
Book
ISBN:
9781559365116, 1559365110
Physical Desc:
xv, 221 pages ; 22 cm.
Status:
Aims Greeley Circulation
PN2053 .I527 2015
Description
An informative new collection of essays packed with insight into the minds of today's theater makers.
Copies
Location
Call Number
Status
Aims Greeley Circulation
PN2053 .I527 2015
On Shelf
More Copies In Prospector
Loading Prospector Copies...
Subjects
LC Subjects
More Details
Language:
English
Notes
General Note
"Editor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders--each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be. Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play GUAPA, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel"--Provided by publisher.
Bibliography
Includes bibliographical references.
Citations
APA Citation (style guide)
Svich, C. (2015). Innovation in five acts: strategies for theatre and performance. New York, Theatre Communications Group.
Chicago / Turabian - Author Date Citation (style guide)Svich, Caridad. 2015. Innovation in Five Acts: Strategies for Theatre and Performance. New York, Theatre Communications Group.
Chicago / Turabian - Humanities Citation (style guide)Svich, Caridad, Innovation in Five Acts: Strategies for Theatre and Performance. New York, Theatre Communications Group, 2015.
MLA Citation (style guide)Svich, Caridad. Innovation in Five Acts: Strategies for Theatre and Performance. New York, Theatre Communications Group, 2015.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
fc5e68c7-a6b2-47e4-0d74-35f4323d1d83
Record Information
| Last Sierra Extract Time | Dec 14, 2024 07:06:23 AM |
|---|---|
| Last File Modification Time | Dec 14, 2024 07:06:44 AM |
| Last Grouped Work Modification Time | Dec 14, 2024 07:06:29 AM |
MARC Record
| LEADER | 04886cam a2200505 i 4500 | ||
|---|---|---|---|
| 001 | 908287003 | ||
| 003 | OCoLC | ||
| 005 | 20170524101434.0 | ||
| 008 | 150430t20152015nyu b 000 0 eng | ||
| 010 | |a 2015016598 | ||
| 019 | |a 903424673 | ||
| 020 | |a 9781559365116 |q (pbk.) | ||
| 020 | |a 1559365110 |q (pbk.) | ||
| 020 | |z 9781559368407 |q (ebook) | ||
| 035 | |a (OCoLC)908287003 |z (OCoLC)903424673 | ||
| 039 | |a 407441 |c TLC | ||
| 040 | |a DLC |b eng |e rda |c DLC |d YDX |d YDXCP |d BDX |d BTCTA |d CDX |d STF |d OCLCF |d NUI |d NGU |d CIA |d VP@ |d OCLCQ |d CAA | ||
| 042 | |a pcc | ||
| 049 | |a CAAA | ||
| 050 | 0 | 0 | |a PN2053 |b .I527 2015 |
| 082 | 0 | 0 | |a 792.02/3 |2 23 |
| 084 | |a PER011020 |a PER011010 |a LIT013000 |a LCO010000 |2 bisacsh | ||
| 245 | 0 | 0 | |a Innovation in five acts : |b strategies for theatre and performance / |c edited by Caridad Svich. |
| 264 | 1 | |a New York : |b Theatre Communications Group, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a xv, 221 pages ; |c 22 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a TCG sourcebook | |
| 500 | |a "Editor Caridad Svich has gathered forty-three essays from admired theater professionals that comprise a volume of inspiring and innovative techniques for creating theater. Inside are words of wisdom and advice from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders--each sharing the creative challenges and triumphs of developing original works for today's stages, wherever they might be. Caridad Svich received a 2012 OBIE Award for Lifetime Achievement in the theater, a 2012 Edgerton Foundation New Play Award for her play GUAPA, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on the Isabel Allende novel"--Provided by publisher. | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |g Prologue. |t At play in the commonwealth / |r Caridad Svich -- |g Act one: |t Focus. |t Innovation in 17 (with a knowing nod to Bill Drummond) / |r Stephen Wrentmore -- |t Whither innovation? / |r Arthur Bartow -- |t Theatrical innovation: whose job it is? / |r Howard Shalwitz -- |t Innovation and catastrophe / |r John Biguenet -- |t Pull focus / |r Jeff McMahon -- |t On the virtues of 'open source' innovation in the arts / |r Duška Radosavljević -- |t Arts entrepreneurship: you are closer than you think / |r Jim Hart and Gary D. Beckman -- |t Agents of change / |r Dominic D'Andrea -- |g Act two: |t Being with. |t What can we do? / |r Andy Smith -- |t Considering imagination / |r Katie Pearl -- |t Towards a slow theatre / |r Lisa Schlesinger -- |t Cooking oil / |r Deborah Asiimwe and Emily Mendelsohn -- |t Backward country / |r Elaine Avila -- |t Audience: friend, foe or innocent bystander? / |r Leila Buck -- |t Bills, e-motions, manifestos / |r Saviana Stanescu -- |t Eliot forgot the reluctant vampires / |r Ian Rowlands -- |t Fornes and artistic mentorship / |r Anne García-Romero -- |t Aligning a vision / |r Caridad Svich -- |g Act three: |t Task. |t Innovation in writing / |r Octavio Solis -- |t Write it yourself! / |r Oliver Mayer -- |t On eco-theater / |r Jeremy Pickard -- |t Artistry and innovation / |r Heather Woodbury -- |t Concurrencies / |r Aaron Landsman -- |t Taking control of the narrative / |r E.M. Lewis -- |t If someone calls my name / |r Zac Kline -- |t Violence and theatre-making / |r John Moletress -- |t Beyond the 'dead playwright' approach / |r Mariana Carreño King -- |g Act four: |t At play. |t An educated gamble / |r Daniel Gallant -- |t Essentiality of innovation / |r Daniel Brunet -- |t Against mastery / |r David Herskovits -- |t Innovation/Collaboration / |r Michael John Garcés -- |t Doing the work / |r Rachel Jendrzejewski -- |t Yay, innovation! Wait, innovation? / |r Chris Wells -- |t Vernacular theatre and the great feast / |r Catherine Love -- |t Two launch pads / |r Pedro de Senna -- |t Act of introducing something new / |r Kali Quinn -- |t 'Tis new to thee / |r Mark Schultz -- |g Act five: |t Let's. |t Geographies of language / |r John Jesurun in an interview with Caridad Svich -- |t Writing as global engagement / |r Ayad Akhtar in interview with Caridad Svich -- |t A book group for theatre / |r Maddy Costa -- |t Let's / |r Julie Felise Dubiner -- |g Epilogue. |t Who gets to play? / |r August Schulenburg. |
| 650 | 0 | |a Theater |x Production and direction. |0 https://id.loc.gov/authorities/subjects/sh85134542 | |
| 700 | 1 | |a Svich, Caridad, |0 https://id.loc.gov/authorities/names/no98080414 |e editor. | |
| 830 | 0 | |a TCG sourcebook. |0 https://id.loc.gov/authorities/names/no2017028714 | |
| 907 | |a .b64124952 | ||
| 948 | |a MARCIVE Comprehensive, in 2023.02 | ||
| 948 | |a MARCIVE Over, 05/2021 | ||
| 989 | |1 .i137531229 |b 190801915629 |d aigci |g - |m |h 0 |x 0 |t 0 |i 0 |j 333 |k 210501 |o - |a PN2053 |r .I527 2015 | ||
| 994 | |a C0 |b CAA | ||
| 995 | |a Loaded with m2btab.ltiac in 2023.02 | ||
| 995 | |a Loaded with m2btab.ltiac in 2021.05 | ||
| 995 | |a Loaded with m2btab.migrate in 2021.04 | ||
| 998 | |e - |f eng |a ai | ||