Noise uprising: the audiopolitics of a world musical revolution
(Book)
Description
Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization. -- from back cover.
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Citations
Denning, M. (2015). Noise uprising: the audiopolitics of a world musical revolution. London ; Brooklyn, NY, Verso.
Chicago / Turabian - Author Date Citation (style guide)Denning, Michael. 2015. Noise Uprising: The Audiopolitics of a World Musical Revolution. London ; Brooklyn, NY, Verso.
Chicago / Turabian - Humanities Citation (style guide)Denning, Michael, Noise Uprising: The Audiopolitics of a World Musical Revolution. London ; Brooklyn, NY, Verso, 2015.
MLA Citation (style guide)Denning, Michael. Noise Uprising: The Audiopolitics of a World Musical Revolution. London ; Brooklyn, NY, Verso, 2015.
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Last Sierra Extract Time | Jan 20, 2025 05:53:11 AM |
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Last File Modification Time | Jan 20, 2025 05:53:32 AM |
Last Grouped Work Modification Time | Jan 20, 2025 05:53:17 AM |
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100 | 1 | |a Denning, Michael. |0 https://id.loc.gov/authorities/names/n86108079 | |
245 | 1 | 0 | |a Noise uprising : |b the audiopolitics of a world musical revolution / |c Michael Denning. |
264 | 1 | |a London ; |a Brooklyn, NY : |b Verso, |c 2015. | |
300 | |a 306 pages : |b illustrations ; |c 24 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Turnarounds : the soundscape of vernacular phonograph music, 1925-1930 -- The polyphony of colonial ports : the social space of the vernacular music revolution -- Phonographing the vernacular : remaking the world of music -- Phonograph culture : the remaking of vernacular musicking -- Decolonizing the ear : the cultural revolution of vernacular phonograph musics -- "A noisy heaven and a syncopated earth" : remaking the musical ear -- Remastering the 78s : reverberations of a musical revolution. | |
520 | |a Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization. -- from back cover. | ||
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650 | 0 | |a Sound recordings |0 https://id.loc.gov/authorities/subjects/sh85125391 |x Social aspects |0 https://id.loc.gov/authorities/subjects/sh00002758 |x History |y 20th century. |0 https://id.loc.gov/authorities/subjects/sh2002006165 | |
650 | 0 | |a Popular music |y 1921-1930 |0 https://id.loc.gov/authorities/subjects/sh87003302 |x History and criticism. |0 https://id.loc.gov/authorities/subjects/sh99001187 | |
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