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Noise uprising: the audiopolitics of a world musical revolution
(Book)

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Published:
London ; Brooklyn, NY : Verso, 2015.
Format:
Book
ISBN:
9781781688564, 1781688567, 9781781688557, 1781688559
Physical Desc:
306 pages : illustrations ; 24 cm
Status:
Aims Greeley Circulation
ML3916 .D48 2015

Description

Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization. -- from back cover.

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Status
Aims Greeley Circulation
ML3916 .D48 2015
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Language:
Unknown

Notes

Bibliography
Includes bibliographical references and index.
Description
Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization. -- from back cover.

Citations

APA Citation (style guide)

Denning, M. (2015). Noise uprising: the audiopolitics of a world musical revolution. London ; Brooklyn, NY, Verso.

Chicago / Turabian - Author Date Citation (style guide)

Denning, Michael. 2015. Noise Uprising: The Audiopolitics of a World Musical Revolution. London ; Brooklyn, NY, Verso.

Chicago / Turabian - Humanities Citation (style guide)

Denning, Michael, Noise Uprising: The Audiopolitics of a World Musical Revolution. London ; Brooklyn, NY, Verso, 2015.

MLA Citation (style guide)

Denning, Michael. Noise Uprising: The Audiopolitics of a World Musical Revolution. London ; Brooklyn, NY, Verso, 2015.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

Staff View

Grouped Work ID:
67d51194-a301-563e-4130-ac9ffb682552
Go To Grouped Work

Record Information

Last Sierra Extract TimeJan 20, 2025 05:53:11 AM
Last File Modification TimeJan 20, 2025 05:53:32 AM
Last Grouped Work Modification TimeJan 20, 2025 05:53:17 AM

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5050 |a Turnarounds : the soundscape of vernacular phonograph music, 1925-1930 -- The polyphony of colonial ports : the social space of the vernacular music revolution -- Phonographing the vernacular : remaking the world of music -- Phonograph culture : the remaking of vernacular musicking -- Decolonizing the ear : the cultural revolution of vernacular phonograph musics -- "A noisy heaven and a syncopated earth" : remaking the musical ear -- Remastering the 78s : reverberations of a musical revolution.
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