We Love Your Privacy

For your safety and privacy, passwords are now required to access your library account and to place holds. You will also need a library password to access the library's databases off campus. To create a password, click on the Login button, above and to the right of the search box, and then the "Reset My Password" link (email address required).

Quick Guide to Creating Your Library Password

If you are unable to log in, contact the Learning Commons Technology Assistance and Computer Learning Lab at 970 339-6541. Additionally, you may also stop by any Learning Commons location.

Visual culture
(Book)

Book Cover
Average Rating
Published:
Cambridge, Massachusetts : The MIT Press, [2020].
Format:
Book
ISBN:
9780262539364, 0262539365
Physical Desc:
xxvii, 213 pages : illustrations (chiefly color) ; 18 cm.
Status:
Aims Greeley Circulation
N72.S6 B595 2020
Description

"A short, accesible critical guide to visual culture-what it means to look and see; how the visual impacts our lives, our era, our understandings of each other, and even how it is changing our brains"--

As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen' How do we live and move in our visual environments' This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so. Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples--from Judy Chicago's The Dinner Party and Beyoncé and Jay-Z at the Louvre to the first images of a black hole--Alexis Boylan considers how we engage with and are manipulated by what we see. She begins with what: what is visual culture, and what questions, ideas, and quandaries animate our approach to the visual? She continues with where: where are we allowed to see it, and where do we stand when we look? Then, who: whose bodies have been present or absent from visual culture, and who is allowed to see it? And, finally, when: is the visual detached from time? When do we see what we need to see?

Also in This Series
Copies
Location
Call Number
Status
Aims Greeley Circulation
N72.S6 B595 2020
On Shelf
More Like This
More Copies In Prospector
Loading Prospector Copies...
More Details
Language:
English

Notes

Bibliography
Includes bibliographical references and index.
Description
"A short, accesible critical guide to visual culture-what it means to look and see; how the visual impacts our lives, our era, our understandings of each other, and even how it is changing our brains"--,Provided by publisher.
Description
As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen' How do we live and move in our visual environments' This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so. Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples--from Judy Chicago's The Dinner Party and Beyoncé and Jay-Z at the Louvre to the first images of a black hole--Alexis Boylan considers how we engage with and are manipulated by what we see. She begins with what: what is visual culture, and what questions, ideas, and quandaries animate our approach to the visual? She continues with where: where are we allowed to see it, and where do we stand when we look? Then, who: whose bodies have been present or absent from visual culture, and who is allowed to see it? And, finally, when: is the visual detached from time? When do we see what we need to see?
Citations
APA Citation (style guide)

Boylan, A. L. (2020). Visual culture. Cambridge, Massachusetts, The MIT Press.

Chicago / Turabian - Author Date Citation (style guide)

Boylan, Alexis L.. 2020. Visual Culture. Cambridge, Massachusetts, The MIT Press.

Chicago / Turabian - Humanities Citation (style guide)

Boylan, Alexis L., Visual Culture. Cambridge, Massachusetts, The MIT Press, 2020.

MLA Citation (style guide)

Boylan, Alexis L.. Visual Culture. Cambridge, Massachusetts, The MIT Press, 2020.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
cd9e7b5f-b66e-3317-63c8-a6ae89d73cc9
Go To GroupedWork

Record Information

Last Sierra Extract TimeMar 23, 2024 05:53:10 PM
Last File Modification TimeMar 23, 2024 05:53:32 PM
Last Grouped Work Modification TimeMar 23, 2024 05:53:17 PM

MARC Record

LEADER03760cam a2200517 i 4500
0011134460643
003OCoLC
00520201208194332.3
008191230s2020    maua     b    001 0 eng  
010 |a 2019058448
019 |a 1225634889
020 |a 9780262539364|q paperback
020 |a 0262539365|q paperback
035 |a (OCoLC)1134460643|z (OCoLC)1225634889
040 |a DLC|b eng|e rda|c DLC|d OCLCO|d OCLCF|d YDX|d BDX|d YDX|d CHVBK|d OCLCO|d CAD
042 |a pcc
049 |a CAAA
05000|a N72.S6|b B595 2020
08200|a 701/.03|2 23
1001 |a Boylan, Alexis L.,|0 https://id.loc.gov/authorities/names/nr2004028561|e author.
24510|a Visual culture /|c Alexis L. Boylan.
264 1|a Cambridge, Massachusetts :|b The MIT Press,|c [2020]
300 |a xxvii, 213 pages :|b illustrations (chiefly color) ;|c 18 cm.
336 |a text|b txt|2 rdacontent
337 |a unmediated|b n|2 rdamedia
338 |a volume|b nc|2 rdacarrier
4901 |a The MIT Press essential knowledge series
504 |a Includes bibliographical references and index.
5050 |a Series Foreword -- Acknowledgments -- Introduction -- 1 What -- 2 Where -- 3 Who -- 4 When -- Conclusion -- Glossary.
520 |a "A short, accesible critical guide to visual culture-what it means to look and see; how the visual impacts our lives, our era, our understandings of each other, and even how it is changing our brains"--|c Provided by publisher.
520 |a As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen' How do we live and move in our visual environments' This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so. Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples--from Judy Chicago's The Dinner Party and Beyoncé and Jay-Z at the Louvre to the first images of a black hole--Alexis Boylan considers how we engage with and are manipulated by what we see. She begins with what: what is visual culture, and what questions, ideas, and quandaries animate our approach to the visual? She continues with where: where are we allowed to see it, and where do we stand when we look? Then, who: whose bodies have been present or absent from visual culture, and who is allowed to see it? And, finally, when: is the visual detached from time? When do we see what we need to see?
650 0|a Art and society.|0 https://id.loc.gov/authorities/subjects/sh85007975
650 7|a Art and society.|2 fast|0 (OCoLC)fst00815432
650 7|a Gesellschaft.|2 gnd
650 7|a Kultur.|2 gnd
650 7|a Visuelle Wahrnehmung.|2 gnd
830 0|a MIT Press essential knowledge series.|0 https://id.loc.gov/authorities/names/no2011178343
907 |a .b64350794
948 |a MARCIVE Comprehensive, in 2023.02
948 |a MARCIVE Over, 09/2021
989 |1 .i139459145|b 190802034610|d aigci|g -|m |h 0|x 0|t 0|i 0|j 333|k 210719|o p|a N72.S6 |r  B595 2020
994 |a C0|b CAA
995 |a Loaded with m2btab.ltiac in 2023.02
995 |a Loaded with m2btab.ltiac in 2021.09
995 |a Loaded with m2btab.b in 2021.07
998 |e -|f eng|a ai