Assimilate: a critical history of industrial music
(Book)
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Reed, S. A. (2013). Assimilate: a critical history of industrial music. Oxford University Press.
Chicago / Turabian - Author Date Citation (style guide)Reed, S. Alexander. 2013. Assimilate: A Critical History of Industrial Music. Oxford University Press.
Chicago / Turabian - Humanities Citation (style guide)Reed, S. Alexander, Assimilate: A Critical History of Industrial Music. Oxford University Press, 2013.
MLA Citation (style guide)Reed, S. Alexander. Assimilate: A Critical History of Industrial Music. Oxford University Press, 2013.
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Last Sierra Extract Time | Mar 03, 2025 09:39:43 PM |
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Last File Modification Time | Mar 03, 2025 09:39:58 PM |
Last Grouped Work Modification Time | Mar 03, 2025 09:39:50 PM |
MARC Record
LEADER | 02867cam a2200505 i 4500 | ||
---|---|---|---|
001 | 814982221 | ||
003 | OCoLC | ||
005 | 20140827124507.0 | ||
008 | 121016s2013 nyua b 001 0 eng | ||
010 | |a 2012042281 | ||
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016 | 7 | |a 016385138 |2 Uk | |
020 | |a 9780199832583 (hardcover : alk. paper) | ||
020 | |a 0199832587 (hardcover : alk. paper) | ||
020 | |a 9780199832606 (pbk. : alk. paper) | ||
020 | |a 0199832609 (pbk. : alk. paper) | ||
024 | 8 | |a 40022473606 | |
035 | |a (OCoLC)814982221 | ||
039 | |a 374691 |c TLC | ||
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049 | |a CAAA | ||
050 | 0 | 0 | |a ML3528.7 |b .R44 2013 |
082 | 0 | 0 | |a 781.64809 |2 23 |
100 | 1 | |a Reed, S. Alexander. |0 https://id.loc.gov/authorities/names/n2012066947 | |
245 | 1 | 0 | |a Assimilate : |b a critical history of industrial music / |c S. Alexander Reed. |
264 | 1 | |a New York : |b Oxford University Press, |c [2013] | |
300 | |a xiv, 361 pages : |b illustrations ; |c 25 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 321-331), and index. | ||
505 | 0 | |a I. Technology and the preconditions of industrial music. -- Italian futurism -- William S. Burroughs -- Industrial music and art music -- II. Industrial geography. -- Northern England -- Berlin -- San Francisco -- Mail art, tape technology, and the network -- III. Industrial musical style. -- The tyranny of the beat : dance music and identity crisis -- "After cease to exist" : England 1981-1985 -- Body to body : Belgian EBM 1981-1985 -- Industrial music as a theater of cruelty -- "She's a sleeping beast" : Skinny Puppy and the feminine gothic -- IV. Industrial politics. -- Back and forth : industrial music and fascism -- White souls in black suits : industrial music and race -- V. People and industrial music. -- Wild planet : WaxTrax! Records and global dance scenes -- Q: Why do we act like machines? A: We do not. -- Death -- Wonder. | |
650 | 0 | |a Industrial music |0 https://id.loc.gov/authorities/subjects/sh98005303 |x History and criticism. |0 https://id.loc.gov/authorities/subjects/sh99001187 | |
650 | 7 | |a Industrial music. |0 (OCoLC)fst00971386 |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |0 (OCoLC)fst01411635 |2 fast | |
907 | |a .b64115264 | ||
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998 | |e - |f eng |a ai |