Assimilate: a critical history of industrial music
(Book)
Author:
Published:
New York : Oxford University Press, [2013].
Format:
Book
ISBN:
9780199832583 (hardcover : alk. paper), 0199832587 (hardcover : alk. paper), 9780199832606 (pbk. : alk. paper), 0199832609 (pbk. : alk. paper)
Physical Desc:
xiv, 361 pages : illustrations ; 25 cm
Status:
Aims Greeley Circulation
ML3528.7 .R44 2013
Description
Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups that combined avant-garde electronic music with the provocative attitude and abrasive style of punk rock. In Assimilate, S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre, charting its trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity with the success of Nine Inch Nails in the mid-1990s, through its decline to the present day. Exploring twenty exemplary w.
Copies
Location
Call Number
Status
Last Check-In
Aims Greeley Circulation
ML3528.7 .R44 2013
On Shelf
May 15, 2023
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More Details
Language:
Unknown
UPC:
40022473606
Notes
Bibliography
Includes bibliographical references (pages 321-331), and index.
Citations
APA Citation (style guide)
Reed, S. A. (2013). Assimilate: a critical history of industrial music. Oxford University Press.
Chicago / Turabian - Author Date Citation (style guide)Reed, S. Alexander. 2013. Assimilate: A Critical History of Industrial Music. Oxford University Press.
Chicago / Turabian - Humanities Citation (style guide)Reed, S. Alexander, Assimilate: A Critical History of Industrial Music. Oxford University Press, 2013.
MLA Citation (style guide)Reed, S. Alexander. Assimilate: A Critical History of Industrial Music. Oxford University Press, 2013.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
c5abac91-b0b3-1b75-2f02-3f32c4ae6660
Record Information
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| Last File Modification Time | Mar 03, 2025 09:39:58 PM |
| Last Grouped Work Modification Time | Mar 03, 2025 09:39:50 PM |
MARC Record
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| 245 | 1 | 0 | |a Assimilate : |b a critical history of industrial music / |c S. Alexander Reed. |
| 264 | 1 | |a New York : |b Oxford University Press, |c [2013] | |
| 300 | |a xiv, 361 pages : |b illustrations ; |c 25 cm | ||
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| 504 | |a Includes bibliographical references (pages 321-331), and index. | ||
| 505 | 0 | |a I. Technology and the preconditions of industrial music. -- Italian futurism -- William S. Burroughs -- Industrial music and art music -- II. Industrial geography. -- Northern England -- Berlin -- San Francisco -- Mail art, tape technology, and the network -- III. Industrial musical style. -- The tyranny of the beat : dance music and identity crisis -- "After cease to exist" : England 1981-1985 -- Body to body : Belgian EBM 1981-1985 -- Industrial music as a theater of cruelty -- "She's a sleeping beast" : Skinny Puppy and the feminine gothic -- IV. Industrial politics. -- Back and forth : industrial music and fascism -- White souls in black suits : industrial music and race -- V. People and industrial music. -- Wild planet : WaxTrax! Records and global dance scenes -- Q: Why do we act like machines? A: We do not. -- Death -- Wonder. | |
| 650 | 0 | |a Industrial music |0 https://id.loc.gov/authorities/subjects/sh98005303 |x History and criticism. |0 https://id.loc.gov/authorities/subjects/sh99001187 | |
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